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Tuesday, December 18, 2012

Lucky Him: Why the King of Queens Principle Needs to Die




           Let me paint a picture for you. Once upon a time, there lived a schlubby guy with low self-esteem. He toiled away day after day at a menial job, receiving no recognition for his hard work and generally getting nowhere in life. His friends and coworkers agree that he is an all-around loser and make fun of him when he’s not in the room and, on occasion, when he is; perhaps they only hang out with him because he makes them feel better about themselves. Then, one day, they get the opportunity to finally meet the wife he keeps talking about (some of them had even questioned whether she really existed, because who’d want to marry a guy like that?). The time comes to meet her, and they can’t believe their eyes! The woman standing before them isn’t the homely embarrassment they were expecting: in fact, she’s downright hot. Like, Playboy bunny hot. Suddenly, they’re in awe of him. They can’t stop giving each other looks, wondering how that sucker scored such a babe of a wife. What’s his secret?

           Does this scenario sound familiar to you? If it doesn’t, you must not have watched a single movie or TV show in, I don’t know, your life (in which case, I’m not sure why you’re reading this blog, but you’re certainly welcome to stay). The average-looking dude/bombshell gal dynamic, which I am hereby dubbing the King of Queens Principle for this article, has been a pop culture staple for decades, appearing in everything from Annie Hall and The Hunchback of Notre Dame to Adam Sandler movies and pretty much anything about high school and teenagers ever.

            In case you can’t already tell, this particular cliché is a bit of a pet peeve of mine. Most recently, it was brought to my attention by a subplot in the latest episode of Parks & Rec. For those who don’t watch the show, or haven’t seen the latest episode, Jerry, who is essentially the loser described in the hypothetical situation above, throws a Christmas party, and to the amazement of some of the other characters, this party is actually really popular and awesome. At the party, they see his wife, Gayle, for the first time, and what do you know, she’s incomprehensibly hot. Tall and blonde with an hourglass-ish figure, she looks like a model; as a matter of fact, she’s played by real-life model Christie Brinkley. What’s more, she’s so attractive that she looks the same age as her and Jerry’s three daughters, who are also very pretty. Adam Scott’s Ben essentially spends the entire episode gaping at the sight this man, hapless, square-as-a-box Jerry, with that woman.


            This plotline, as trivial as it was, drove me nuts. It would’ve been one thing if this had been used as an initial “woah” moment and Ben and the others then proceeded to – oh, I don’t know – actually talk to her, instead of just gawking, but what I described for you was literally the entire story. That was it.


Now, it’s not a lack of realism that makes me cringe when I see the King of Queens Principle deployed. People date and marry “out of their league” all the time in real life.


Here’s your daily reminder that these two dated for eight years.

             What’s so problematic about this trope is that it implies women are only worthy of admiration if they possess physical beauty. In these situations, are people ever blown away because the woman in question is stunningly intelligent or charming or kind? No, it’s because she has bigger boobs, a better ass, a slimmer figure and longer legs and is just all-around more sexually appealing than they expected. I don’t claim to understand the first thing about the male psyche, so this could just be a perfectly accurate portrayal of how heterosexual men select their ideal mates for all I know, but are men not insulted by these accusations of shallowness, by the implication that the criteria they use to evaluate a desirable partner goes only skin-deep?

             Because here’s the thing: it is all about the men. The King of Queens Principle always goes ugly guy/attractive girl, never the other way around. Essentially, the woman always exists to validate the man either to himself (i.e. “you’re such a nice guy, you have a great personality, and I’m a perfect, not-superficial person so I couldn’t care less what you look like) or in the eyes of his male buddies as not-a-total-failure/freak.

             On one level, this reflects the double standards regarding physical appearance that are still rampant in the movie industry. There are few actresses in Hollywood who defy the usual conventions of beauty and can find steady work, and even those few who manage to somehow find some success – Melissa McCarthy, for example – are always relegated to supporting roles. Most importantly, they can never, ever become love interests. When you look at leading men, however, you can find as many Jack Nicholsons and Jonah Hills as Brad Pitts; even Steve Buscemi had Ghost World. Where are our female equivalents to Buscemi or Seth Rogen? Easy answer: they don’t exist. When it comes to casting a romantic lead, the first thing people apparently ask an actress is, are you someone that men will fantasize about? Talent is secondary to that all-important fuckability element. It’s why Jessica Biel is an A-lister, despite the fact that, as far as I can tell, she can’t act and has never been in a good movie (fine, Cellular was better than I expected, but there’s a difference between being not-bad and genuinely good, and I don’t even remember Biel being in it, though her IMDb page insists she was), while Gabourey Sidibe hasn’t had a substantial role since breaking out with the indie Precious. Even if they do pass the hotness test, women still have to spend their entire careers responding to petty comments about their weight and body image.


 Only in Hollywood is this woman considered ugly

The fact of the matter is that the movie and TV industries are still overwhelmingly patriarchal worlds. Not only are the vast majority of people in positions of control or power men, but Hollywood also still continues to cater toward adolescent boys more than any other demographic, while labeling anything aimed toward someone else as “niche” programming, though hits like Twilight, Bridesmaids and even Magic Mike could perhaps change this by forcing studios to accept women as a viable and powerful audience.



It would be nice to have something productive come out of this silliness.

                 
             The most obvious explanation for the prevalence and popularity of the King of Queens Principle is that, much like the whole Manic Pixie Dream Girl trope (warning: TV Tropes link), it’s simply wish fulfillment. After all, if you’re casting your own girlfriend/wife or the partner of a male character who could be seen as a stand-in for yourself, why wouldn’t you cast someone beautiful, the sort of person most of us can only daydream about? It’s just make-believe anyway. Hell, if I was in a movie, I’d totally want to be cast opposite Colin Farrell or Jon Hamm, for example. Though, I’d also “settle for” Jesse Eisenberg or Anton Yelchin. Just putting that out there.

            However, my wish fulfillment scenario is quite a bit different than, say, Adam Sandler imagining himself in the middle of a love triangle with Jennifer Aniston and model Brooklyn Decker, because there’s no history of men being objectified and defined solely based on their physical attractiveness. Though there are exceptions, the women in these movies rarely have any personality or characterization beyond their looks. The King of Queens Principle exists so that men can convince themselves that, no matter how ugly, unsuccessful or unpopular they are, hot women will still want to date them. As paranoid as it sounds, it’s hard not to think about how this affects men’s romantic expectations or treatment of women in real life. In essence, this is about “nice” guys believing that women will date and sleep with them just because they treat women like human beings instead of objects or toys. Putting aside how messed up it is that people think they should be rewarded for being not-misogynistic rather than this being an absolute requirement for them to be tolerated by society, it depicts women as prizes to be won. They are the rewards men get for defeating the bad guy/bully or becoming a better person or just being not-a-jerk. We take it as a given that the good guy will win over his beautiful love interest by the end of the film – emphasis on the “beautiful”. Moreover, the attractiveness of these love interests is treated as inarguable, since Hollywood seems to believe that all men – and women, for that matter – have the same conceptions of beauty.

So, then what about the women who don’t conform or live up to these standards? They’re treated as undesirable and unworthy of affection or adoration. This is why the lack of “ordinary-looking” women in prominent roles is such a problem. In Hollywood, even the weird or unlucky-in-love women either look like glamorous movie stars or are one makeover montage from looking like glamorous movie stars. If Julia Roberts and Sandra Bullock can’t find love, then what hope do the rest of us have?


Sorry, but that line is utter bullshit.

              There is a beacon of hope, though, and it comes from an unlikely source: The Mindy Project. Yes, I am talking about that new sitcom on FOX, the one that, based on the episodes that I’ve seen, is aggressively mediocre with a bland supporting cast and uninteresting plotlines. That’s not what’s important here, though. What’s important is that the show centers on Mindy Kaling, who is pretty much the opposite of what Hollywood traditionally positions as attractive. Yet she’s portrayed not only as competent at her job as a doctor, if not at all other aspects of her life, but also as self-confident and appealing to the male characters on the show, even if not all of them would openly admit it. Granted, Kaling had to create and write the show herself, but it’s refreshing to see a show that puts her, instead of some idealized model-type, at the center of attention without feeling the need to desexualize her. In this way, The Mindy Project is quietly progressive (plus, the episode “Teen Patient” is worth watching exclusively for a seemingly throwaway moment regarding the minor, one-off character Ben). Her show has its problems, but in an industry that still determines women’s worth by their bodies and treats them as little more than props in male fantasies, Kaling offers an alternative that others would benefit from following.         

               


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