Let the Games Begin!

StarGazer           

          There are two names that define recent young adult literature: Harry Potter and, more irritatingly for those of us who aren’t tween girls or their middle-aged mothers, Edward Cullen (or Bella Swan, if you prefer). Now, at last, another is breaking into their ranks: a sixteen year old girl with a braid, a bow and enough spirited determination to conquer the world. Meet Katniss Everdeen, the girl on fire.

           With Harry Potter having officially come to an end and the world eagerly anticipating – or dreading – the release of the last Twilight movie, Gary Ross offers us his fine cinematic adaptation of The Hunger Games. The first chapter in Suzanne Collins’ bestselling trilogy, this sci-fi thriller depicts a dystopian future where teens are forced to fight to the death by a totalitarian government. The director of Seabiscuit brings Collins’ story to life with a serious-minded verve and intelligence that distinguishes it from other young adult-oriented fare. Assembling an almost pitch-perfect cast, he treats the source material – and its fans – with a respect that feels increasingly rare in an industry that often seems to value easy money and marketability over true quality, especially when it comes to potential franchises.

           The temptation to churn out a cheap, lazy cash-grab a la the Twilight movies must’ve been there, given that audiences would’ve flocked to the theaters regardless, but the filmmakers evidently cared about the movie beyond its obvious box-office potential. They take the pulse-pounding intensity of the books and successfully translate it to the big screen, staying true in spirit but displaying a great willingness to tweak and embellish the story when necessary. Among other changes, by expanding the point of view beyond Katniss, the movie offers a wider perspective, something new that could not be found in the book. It feels like a genuine, stand-alone movie rather than a paint-by-the-numbers adaptation, a distinction that the Harry Potter movies, for all their artistic merits, never quite mastered. Aside from some memorable performances, those films never provided anything that the books didn’t. Furthermore, The Hunger Games does a good enough job of establishing its characters, story and tone internally that it should work for those coming in cold as well as long-time fans. As someone who has read the books, though, I could be drastically wrong about that last point.

          Instead of going for sweeping and epic, Ross smartly focuses on the intimate, human aspects of the story, using a sometimes shaky camera and concise editing to create an almost documentary-like feel. Though these techniques can be tiresome, they work well here and are employed only during appropriate moments, such as the initial bloodbath at the Cornucopia, rather than throughout the movie. Ross pays as much attention to the quiet scenes, such as a moment near the very beginning where Katniss comforts and sings to her younger sister Prim before leaving to hunt, as he does to the action scenes, which are sporadic and avoid self-indulgence, neither glorifying nor glossing over the violence. The music, composed by T. Bone Burnett, eschews the bombastic punk rock one might have expected in favor of a sparse, folksy vibe that reflects both the rustic simplicity of Katniss’s District 12 roots and her inner desperation as she fights for survival; a few techno beats are thrown in as well whenever the action moves to the more advanced, futuristic Capitol. The costumes and sets also help realize the world of Panem in vivid detail while lending a greater degree of believability to the more outrageous elements of Collins’s descriptions, particularly when it comes to the over-the-top fashion tastes of the Capitol residents.

           At the center of it all is Katniss Everdeen, played by a forceful but artfully restrained and nuanced Jennifer Lawrence, who appears in nearly every scene and, coupled with her Oscar-nominated performance as the similarly strong-willed and independent Ree in Winter’s Bone, is establishing herself as a consistently compelling actress and a screen presence to be reckoned with. Passionate, complex and quick-witted, Katniss is willing to do whatever it takes to protect the people she loves, even if it involves violence or means putting herself in danger, but she doesn’t descend into the emotionless, sexless (or sexed-up) killing machine cliché that seems to pass for a strong female character in action films nowadays. She’s a heroine worth rooting for.

           Though Jennifer Lawrence is undoubtedly the star of the movie, she’s joined by a host of talented, well-chosen supporting actors. As Peeta Mellark, Katniss’s fellow District 12 tribute and sort-of love interest, Josh Hutcherson displays the appropriate amounts of charisma, sensitivity and conviction; he’s come a long way since he first appeared in movies like the mostly forgettable Will Ferrell vehicle Kicking and Screaming and Zathura and continues to prove himself to be one of the most promising actors of his generation. Elizabeth Banks is almost unrecognizable under heavy, purposefully crude makeup as the shrill, peppy Effie. Woody Harrelson and Stanley Tucci are both as magnetic as always in the respective roles of Haymitch and Caesar Flickerman, host of the Hunger Games telecast.

           Movies geared toward young adults or teens tend to be dismissed as escapist, mindless fluff not worthy of more serious consideration. Though it’s hard to tell whether The Hunger Games will break this mold and be embraced as fully as the Harry Potter series was, it has an edge and intelligence that make it hard to resist. Sure, there are more pointed, hard-hitting social critiques out there, and it isn’t as bleak or gritty as some might have liked, but as engaging entertainment that doesn’t just ask viewers to turn their brains off, it more than delivers.